The way they look

Entrance to Our Valley – Jenia Fridlyand

“Entrance to Our Valley” was one of the picks from Photobookstores as one of the best photobooks 2019. Jenia Fridlyand, a Russian photographer, photographed with a large-format camera the 200-acre farm in the Hudson River Valley that Jenia and her husband bought for them and their entire family. The beautifully poetic black and white images of this place, which was purposed for a multi-generational home – “for our parents, who are now living more than five thousand miles from the place of their birth; for my husband and I, both first-generation immigrants; and for our children, so they could have the privilege of coming back to a place where they grew up.”

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© Jenia Fridlyand, from the book ‘Entrance to Our Valley’; Source @ Fotoroom

Her work reminded me of photographic works by Raymond Meeks, Mark Steinmetz, Bryan Schutmaat, Jonathan Levitt etc. To me, they all possess a similar type of visual aesthetics which is intimate, calm and subtle that feels timeless yet still contemporary. Maybe it’s the everydayness that I like about these works, as it is not context-specific which everyone can easily relate to. I can easily resonate with most of the images here even though I am not a Russian, nor do I have a farm or live in the States.

Other references:

https://collectordaily.com/jenia-fridlyand-entrance-to-our-valley/

 

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The way they look

Summer Camp – Mark Steinmetz

American photographer, Mark Steinmetz, is known for his timeless photographs of “ordinary people in the ordinary landscapes they inhabit.” As Jorg Colberg says in one of his articles,

“If anything, what we really should be talking about when we use the word “timeless” is a photographer’s sensibility, a sensibility that in some form is translated into the pictures: what do the photographs make us feel (instead of: what do we see)? Are those feelings tied to specific eras, or do they connect to something that falls outside of the continuum of time? And what would that falling out of time mean?”

For the recent listed best photobook of the year 2019 by Chose Commune at BJP  ‘Summer Camp’, it is a book about youths during trips away at summer camp. Whether it is in the 60s or in the 90s, the feeling of leaving home and entering a space with other kids just before their teenage years can easily resonate with many of the viewers – the “timelessness” of this book. The photographer brilliantly captured the moments of the excitement, the pain, the friendships, the late games etc, just as they are, with a touch of tenderness and softnesses.  It marks the transition period from kids to adolescence, where as Steinmetz described, “when a little kid laughs or cries, it doesn’t have real resonance, whereas if someone has these emotions between eight and 12, there’s a poignancy to it. When they become adults, it’s just not the same. Many of these photos are about the predicament of being a kid put into a certain situation. In one picture, these girls who have been so horrible to each other all summer are now parting – and the depth of their love just gushes out. It’s almost excruciating…”

Summercamp-2© Mark Steinmetz, from the series ‘Summer Camp’ ; Source @ Mark Steinmetz

© Mark Steinmetz, from the series ‘Summer Camp’ ; Source @ Mark Steinmetz

Note: Also check out his most recent work ‘Terminus’, another brilliant series.

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