I am a total sucker when it comes to photobooks or series about family and home. Japanese photographer, Miki Hasegawa, focuses her works on maternal love, and social issues revolving around that. The more well-known work, Internal Notebook, is about the emotional cries of children raised in abusive homes (which she started as she was worried she would be doing the same thing to her daughter). She took portraits of those children along with the diaries and notebooks they have kept. The book was made with Yumi Goto at Reminders Photography Stronghold workshops.
This work was interesting, no doubt, but her other works Jewels, Teck-mac-mah-ya-con and To be called mama caught my eye more. The trilogy talks about her relationship with her daughter, in their everyday life, from seeing the world through her daughter’s eyes, to worrying about her flying away somedays and seeing a glimpse of her feminity. They are all stages of life which are universal between a mother and a child.
When you read the images, there are subtle differences in the feelings you get from the images or the series. Jewels give a more naive and playful point of view, that mirrors the action of a 3 years old child.
© Miki Hasegawa, from the series ‘Jewels’; Source @ Miki Hasegawa
Teck-mac-mah-ya-con has a sense of about to disappear.
© Miki Hasegawa, from the series ‘Teck-mac-mah-ya-con’; Source @ Miki Hasegawa
To be called mama really portrays the feminity of 5 years old as if she is a grown-up lady.
© Miki Hasegawa, from the series ‘To be called mama’; Source @ Miki Hasegawa