Zhang Xiao the star photographer from China who’s best known for his work “coastline” has been making works rigorously ever since (as he shared on the projection night). The installation work “Apple” was one of the main exhibitions showcased at the Lianzhou Museum of Photography during the festival.
Using apple as the anchor point, the work talks about how the cultivation of apple from the west brings in apple industrialisation in his hometown, Yantai and how that impacts on local people as well as the environment.
© Michelle Chan, series ‘Apple’ by Zhang Xiao at 15th Edition Lianzhou Foto Festival 2019
The work presented was a multi-media work with photographs, polaroid emulsion prints, videos and a apple tree sculpture installation that narrates the story from how apples are collected and industrialised to markets and other trading centres, to the effect it has on the environment and the society. The progression of the exhibition goes from photographs and a video of how apples are processed in the factories to a wall of meticulous yet beautiful photographs of death birds. Zhang uses birds as the channel for the storytelling because many birds are trapped in-between electrical fences that were built to protect the apples in the factories. The way they were photographed felt very much like corpse photographs but also photographs of specimen where the choice of printing on acrylic or glass reinforces the feeling of preciousness of these corpses. The very last piece of artwork was created from a collaboration with the local people putting fake apples printed “Gong Hei Fat Choi” onto winter trees, symbolising their wishes for prosperity for the coming year. This work shows how the value of apple as just a simple type of food changes according to human impacts.